Charts July 15-21, 2024

WRIR World's NACC Top Ten

1 ORQUESTA AKOKAN | Caracoles | Daptone

2 SUPERFONICOS | Renacere | Spaceflight

3 LOS GAITEROS DE SAN JACINTO | Orgullo Colombiano | OM Producciones/Bad Vibes Good Friends

4 MODESTO DURAN | Fabulous Rhythms Of Modesto | Numero Group

5 NGOZI FAMILY | 99% Confusion | Now-Again

6 COMBO DAGUERRE | Fracassines | Barbes

7 MANU CHAO | "São Paulo Motoboy" [Single] | Because

8 ETRAN DE L'AIR | "Ighre Massina" [Single] | Sahel Sounds

9 SATURNO 4000 | "Ma Belle Fille" b/w "Solar Heart" [Single] | Batov

10 ZANJA ALL STARS | Cuban Jam Session, Vol. 1 | Zanja

I will be reborn

A band's second album is supposed to be the hard one -- it's the one you write after you've spent your whole life on the first album's songs.  For Superfónicos though, the first album was the hard one.

 

Maybe it's because of the pandemic.  Maybe it's because they changed producers.  Maybe it's because four children were born to members of the band while the album was gestating.  Whatever it was, it took Superfónicos more than four years to make Renaceré ("I will be reborn").  You'd never guess that the process was so grueling -- this brassy, soulful, life-affirming record is one of the best things I've heard so far in 2024.  Tune in to Global A Go-Go this week to hear the album's title track.

Also this week (Sunday July 21, 1:00-3:00 PM on WRIR, for two weeks afterwards at wrir.org/listen, check your local listings for airing on other radio stations, and any old time at my podcast site): Manu Chao is sounding like the old Manu Chao, new music from Orquesta Akokán and old music from the Cuban bandas gigantes who preceded them, Tete Mbambisa's updated South African marabi, a new single from desert blues heroes Etran de L’Aïr, and a fabulous anthology of África Negra from São Tomé & Príncipe.

Colombian pride

Bill Lupoletti of Global A Go-Go will be subbing for his WRIR colleague DJ Maiya on the first hour of the program she co-hosts, Head Empty Radio, Friday July 19 at 1 PM.

 

That's the same day that Los Gaiteros de San Jacinto, Colombia's original sound of cumbia, will be playing at Richmond's Get Tight Lounge (more information here: facebook.com/events/831676748322907), so you'll hear some of Los Gaiteros' music plus that of Colombian artists who have been inspired by Los Gaiteros in various ways, and some new sounds from around the world with a cumbia twist to them.

Head Empty Radio's regular co-host DJ Orangina will be at the controls and keeping the party going for hour number two.  Check both of us out this Friday afternoon!

Charts July 8-14, 2024

WRIR World's NACC Top Ten

1 LOS GAITEROS DE SAN JACINTO | Orgullo Colombiano | OM Producciones

2 ORQUESTA AKOKAN | Caracoles | Daptone

3 CHICHA LIBRE | Tequila Y Aguardiente [EP] | Barbes

4 ANGELICA GARCIA | Gemelo | Partisan

5 MIGHTY JOSHUA | Dreaducation | self-released

6 ETANA | Nectar Of The Gods | Freemind

7 UNDERCOVER COCKNEY | "Am I Good Enough (feat. Coco Malone & Horseman)" [Single] | Double Double

8 JOY, THE | The Joy | Transgressive

9 DOBET GNAHORE | Zouzou | Cumbancha

10 CHEO | Refresco Vol. 1: Cheo Goes Latin | Nacional

The original sound of cumbia

Los Gaiteros de San Jacinto are the original sound of cumbia.  Founded in 1940, they're a multigenerational band playing gaita music, which is performed on the reed flute of the same name that was introduced to the Spanish colonials and to the Africans they enslaved by the Kogi natives of Colombia's Sierra Nevada de Santa Marta mountains.

 

It's the collision of these three cultures (Native, African and Spanish) that makes Colombian music what it is; Los Gaiteros are maybe the foremost living embodiment of that collision.  Los Gaiteros will be performing here in Richmond at the Get Tight Lounge on Friday July 19.  This week on Global A Go-Go, you'll hear a sampling of Los Gaiteros' music, including tracks from their brand new album Orgullo Colombiano, the Grammy-winning 2006 album Un Fuego De Sangre Pura and more.

Also this week (Sunday July 14, 1:00-3:00 PM on WRIR, for two weeks afterwards at wrir.org/listen, check your local listings for airing on other radio stations, and any old time at my podcast site): The South African a cappella singing of The Joy; what's new in reggae featuring Mighty Joshua, Prince Fatty, the Hempolics and more; Qwanqwa is where Ethiopian tradition meets free jazz; and the latest from Cote D'Ivoire's Dobet Gnahoré.

Charts Jun 24 - Jul 7, 2024

WRIR World's NACC Top Ten

1 IBIBIO SOUND MACHINE | Pull The Rope | Merge

2 COMBO DAGUERRE | Fracassines | Barbes

3 PROTOJE | "Mariposa" [Single] | Ineffable

4 KANKOU KOUYATE | N'Darila | One World

5 AFRICA NEGRA | Antologia Vol. 2 | Bongo Joe

6 SEUN KUTI AND EGYPT 80 | "Dey" feat. Damian Marley [Single] | Record Kicks

7 NEGAH SANTOS | Ensaio Do Forro | Percussah Sessions

8 ANGELICA GARCIA | Gemelo | Partisan

9 ESY TADESSE | Ahadu | FPE

10 ROLANDO BRUNO Y EL GRUPO AREVALO | Cosas Raras | Peace & Rhythm/Electric Cowbell/DJ Cajon

Global A Go-Go Classico: Independence Day Special

I'm the grandson of immigrants from one of the sh*thole countries of the early 20th century: Italy.  For my grandparents, the 4th of July was the best holiday of the year.  That was the day they celebrated the nation that took them in, let them make something of themselves, and gave their children and grandchildren the opportunities their homeland couldn't provide.

 

It seems like a lot of Americans have lost touch with their immigrant roots, or maybe they're just in denial.  As a public service to the many Americans who've forgotten that their families too were immigrants, this special 4th of July edition of Global A Go-Go (Sunday July 7, 1:00-3:00 PM on WRIR, for two weeks afterwards at wrir.org/listen, check your local listings for airing on other radio stations, and any old time at my podcast site) will feature two hours of great American music made by people who chose to come to this country.  These are the people, like my grandparents, who have made America great always.  Today's the right day to celebrate them, and us.

 

This episode of Global A Go-Go was originally broadcast on WRIR on July 4, 2018.

Charts June 17-23, 2024

WRIR World's NACC Top Ten

1 HERMANOS GUTIERREZ | Sonido Cósmico | Easy Eye Sound/Concord

2 AFRICA NEGRA | Antologia Vol. 2 | Bongo Joe

3 JOY, THE | The Joy | Transgressive/PIAS

4 ATSE TEWODROS PROJECT | Maqeda | Galileo

5 NEW REGENCY ORCHESTRA | New Regency Orchestra | Mr Bongo

6 ZAWOSE QUEENS, THE | Maisha | Real World

7 ANGELICA GARCIA | Gemelo | Partisan

8 BEAUTIFUL NUBIA AND THE ROOTS RENAISSANCE BAND | Sonso | EniObanke

9 BONBON VODOU | Afrodiziak [EP] | Heavenly Sweetness

10 FRANCK BIYONG | Radio Masoda | Tangential

Hard-to-pronounce Turkish banjos

 

It's a very special edition of Global A Go-Go this week because I'm doing something I haven't done on my show since 2017: I'm hosting a live band in WRIR's Studio C.  The band in question is Zarove from right here in Richmond.  It's the new project of Pippin Barnett and Gary Kalar who have been playing together for years, and they've invited Steve Williams into the mix to make it a trio.

 

Pippin Barnett is the legendary Richmond drummer who's a founding member of Idio Savant, The Orthotonics, Famous Actors From Out Of Town, The Ululating Mummies, Boom, Ruckus Watusi, The Richmond Indigenous Gourd Orchestra and Happy Lucky Combo (I'm sure I'm forgetting something), and has toured the world playing in the bands Curlew, Nimal and No Safety with stars of the avant-garde like Fred Frith, Tom Cora, George Cartwright, Zeena Parkins, Wayne Horvitz and Amy Denio.

Gary Kalar is a Minneapolitan and Chicagoan who lives for several months a year in Bulgaria, which has made his playing more deeply enmeshed than ever in the sounds of the former Ottoman Empire and the Balkans.  He's a guitarist by trade and is fluent on a wide number of what he refers to as "hard-to-pronounce Turkish banjos."  Gary's Chicago bands Lamajamal and Mucca Pazza recorded and toured widely, and here in Richmond he's currently a member of the bolero supergroup Miramar and plays with composer/keyboardist Curt Sydnor.  And Steve Williams is best known to Richmond music fans as the guitarist in the Ululating Mummies; in Zarove he shifts over to bass guitar.

 

Zarove's first public performance was at Plan 9 Music a couple of weeks ago; I was there and was dazzled.  They play long, deeply psychedelic jams based on Turkish, Balkan and Middle Eastern motifs, with Gary's electrified banjos snaking their way in and around Pippin's complex driving rhythms while Steve propels the whole thing forward and ties the low end down, at least to the extent that you can tie down an 11/4 meter.  I can assure you that you haven't heard anything quite like Zarove.

Their first venue gig will be on June 29 at Reveler, and you'll get a full length preview of what they'll be doing on stage if you tune in to Global A Go-Go this week (Sunday June 23, 1:00-3:00 PM on WRIR, for two weeks afterwards at wrir.org/listen, check your local listings for airing on other radio stations, and any old time at my podcast site).

Charts June 10-16, 2024

WRIR World's NACC Top Ten

1 ANGELICA GARCIA | Gemelo | Partisan

2 ZAWOSE QUEENS, THE | Maisha | Real World

3 LOS GAITEROS DE SAN JACINTO | Orgullo Colombiano | OM Producciones/Bad Vibes Good Friends

4 JACOB F. DESVARIEUX AND GEORGES DECIMUS (KASSAV') | Yelele | Heavenly Sweetness

5 SEXTETO FANTASIA | Estamos En Algo | El Palmas

6 SUPERFONICOS | "La Semilla" [Single] | Spaceflight

7 LA LOM | "Danza De LA LOM" [Single] | Verve

8 FRANCK BIYONG | Radio Masoda | Tangential

9 ROLANDO BRUNO Y EL GRUPO AREVALO | Cosas Raras | Peace & Rhythm/Electric Cowbell/DJ Cajon

10 MERIDIAN BROTHERS | Mi Latinoamerica Sufre | Ansonia/Bongo Joe

Wagogo a go-go

Leah and Pendo Zawose have been making Wagogo music in Tanzania all their lives.  But always in the background -- women's jobs in Wagogo music has always been drumming and harmony singing, not songwriting or lead singing or playing the crucial tuned instruments illimba (thumb piano), chizeze (spike fiddle) and marimba (same as in English).

 

With the release of Maisha by the Zawose Queens, Wagogo women are finally out in front of the band.  Leah and Pendo's eleven original songs, backed by traditional instruments and unusually sensitive electronics and production from Englishmen Tom Excell and Oli Barton-Wood, are going to turn a lot of people on to a sound they've never heard before.  You'll hear three of them this week on Global A Go-Go.

Also this week (Sunday June 16, 1:00-3:00 PM on WRIR, for two weeks afterwards at wrir.org/listen, check your local listings for airing on other radio stations, and any old time at my podcast site): Classic zouk béton from the French Antilles in the 80s; LA LOM takes on Peruvian chicha; the original sound of cumbia from Colombia's Los Gaiteros De San Jacinto, who will be performing in Richmond on July 19; the latest from Austin's Superfónicos; and two sets of Colombian champeta featuring a new track from Meridian Brothers and some unlikely covers.

Charts June 3-9, 2024

WRIR World's NACC Top Ten

1 KUMBIA BORUKA | Santa Suerte | self-released

2 MDOU MOCTAR | Funeral For Justice | Matador

3 FRANCK BIYONG | Radio Masoda | Tangential

4 KIKI VALERA | Vacilon Santiaguero | Circle 9

5 BASSEKOU KOUYATE AND AMY SACKO | Djudjon: L'Oiseau De Garana | One World

6 LOS DAYS | Dusty Dreams | Too Good

7 MIGHTY JOSHUA | Dreaducation | self-released

8 IBIBIO SOUND MACHINE | Pull The Rope | Merge

9 DELROY WILSON | The Cool Operator | Gorgon

10 MERCI YAYA BONGO: LES GROUPES D'ANIMATION FEMININS DU GABON, 1982-1989 | VARIOUS ARTISTS | Secousse

To be enjoyed without moderation

How is it possible that one of the best cumbia bands in the world is based in Lyon, France?  Well, that's where Hernán Cortés landed after touring the world with Monterrey, Mexico's el rebelde del acordeón Celso Piña and his band Su Ronda Bogotá.

 

Cortés' ensemble Kumbia Boruka is a well-oiled 8-person party machine with over 400 gigs under their belt.  As their booking agent says, Kumbia Boruka is "to be enjoyed without moderation!"  The band's latest album Santa Suerte is their best calling card to date -- I'll feature it this week on Global A Go-Go.

Also this week (Sunday June 9, 1:00-3:00 PM on WRIR, for two weeks afterwards at wrir.org/listen, check your local listings for airing on other radio stations, and any old time at my podcast site): Richmond reggae by Mighty Joshua with guest James "Plunky" Branch, Kiki Valera's son cubano, Malian standard-bearers Bassekou Kouyaté & Amy Sacko, Franck Biyong brings the pan-African dance party, and les groupes d'animation feminins du Gabon.

Charts May 27 - Jun 2, 2024

WRIR World's NACC Top Ten

1 ROLANDO BRUNO Y EL GRUPO AREVALO | Cosas Raras | Peace & Rhythm/Electric Cowbell/DJ Cajon

2 DIZZY MANDJEKU AND ODEMBA OK ALLSTARS | Odemba Nostalgie [EP] | Zephyrus

3 FANIA ALL-STARS | Latin-Soul-Rock | Fania/Craft

4 BOBBY VALENTIN | Young Man With A Horn | Fania/Craft

5 NORTEC: BOSTICH Y FUSSIBLE | "TSM 2024" [Single] | Nacional

6 OKWY OSADEBE AND HIGHLIFE SOUNDMAKERS INTERNATIONAL | Ifunanya | Odogwu/Palenque

7 MASTER PLUS | Va En Serio | Nacional

8 LES BELGICAINS: NA TANGO YA COVADIA 1964-1970 | various artists | Covadia

9 EMEL | MRA | Little Human

10 RAIL BAND | Rail Band | Mississippi

Cumbia trash

What would have happened if The Cramps played cumbia instead of rockabilly?  Something like Rolando Bruno Y El Grupo Arévalo from Buenos Aires, Argentina, I think.

 

Bruno's previous band, Los Peyotes, played punk and garage rock, and of course cumbia is extremely popular throughout South America, so for him putting those things together are like combining peanut butter and chocolate.  This week on Global A Go-Go, you'll hear two tracks from Grupo Arévalo's forthcoming album Cosas Raras, and a few other Latin American bands working with similar ingredients.

Also this week (Sunday June 2, 1:00-3:00 PM on WRIR, for two weeks afterwards at wrir.org/listen, check your local listings for airing on other radio stations, and any old time at my podcast site): Dizzy Mandjeku plays Franco, two generations of Igbo highlife with Stephen and Okwy Osadebe, funk and rapso from Trinidad & Tobago, Mexitronica by Bostich + Fussible and MIS, and the world's fastest salsa is made in Colombia.