There's a lot of competition for this title, but I think Baba Commandant & The Mandingo Band is my favorite African ensemble right now. They're based in Ouagadougou, the capital of Burkina Faso, and as bandleader Mamadou (Baba Commandant) Sanou says, "we have chosen to make Afrobeat groove in our Mandingo tongue."
Baba plays donso ngoni, the hunter's harp, an instrument that until recently was only used for ceremonial music. In combining traditional music and instruments with the modern, they're in alignment with the Authenticité movement of post-colonial Africa. But they sound like 2022, not 1972: always aggressive, sometimes dissonant, they're like West African post-rock.
This week (Sunday September 18, 1:00-3:00 PM on WRIR, for two weeks afterwards on the wrir.org archive player, check your local listings for airing on other radio stations, and any old time at my podcast site) you'll hear a track from Baba Commandant's brand new album Sonbonbela alongside a new reissue from one of the bands that inspire them, the Super Djata Band. Also this week: Bomba Estéreo meets Manu Chao, outstanding new Afropop from DC's Dogo Du Togo, a deep dive into South African township music, mbalax thunder and Middle Eastern Afrofunk.

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