Sahra Halgan's back story is so compelling that it can be a distraction from her brilliant music. She was a nurse on the front lines of Somalia's civil war when her own country's air force dropped bombs on her home town of Hargeisa in Somaliland, driving her and thousands of others into exile.
Then she was a faceless refugee in France for 24 years, working as a cleaner and a cafeteria worker, raising five children, and playing music as a side hustle. In Lyon, Halgan connected with a couple of open-eared local musicians and this trio (now a quartet) has honed a remarkably organic sound that you could call East African post-rock: They're muscular, angular and soulful, recognizably Somalian yet unlike anything else from there or anywhere else.
Halgan's new album Hiddo Dhawr (Keep The Culture) is named for the music venue she opened in Hargeisa in 2013. You'll hear three songs from the album, my favorite album so far in 2024, this week on Global A Go-Go.
Also this week (Sunday April 7, 1:00-3:00 PM on WRIR, for two weeks afterwards at wrir.org/listen, check your local listings for airing on other radio stations, and any old time at my podcast site): South African a cappella, Gabonese singing in praise of maximum leader Omar Bongo, a ticket giveaway to see the twangy soul-cumbia band LA LOM at Richmond Music Hall on Tuesday night, Oluko Imo's Trini Afrobeat and new dancehall South Sudanese style from Dynamq.
.jpg)











